Manolo says, Ayyyyyyy! Our Muse the Miuccia she has again triumphed with her clothing for the men. Here is the article from the beautiful Samurai Suzy about her show yesterday in the Milan.
In her fresh, clean-cut show and in her wise words, Miuccia Prada put into perspective the malaise pervading high fashion menswear, which other Italian designers have tried to face off with vivid color and graphic pattern for summer 2006.
“Fashion should become more egalitarian. I am not interested in dealing with a few sophisticated people,” Prada said. “Crisscrossing everything is the main issue: the need to face the huge world and to appeal to new countries and new customers.”
So for Prada, Monday’s show was a stark return to basics: to the skinny silhouette, to fabrics treated with techno shine, to nylon work-wear, to hosiery-fine sweaters and to symbols to identify the label. And being Prada, with her penchant for a communist/populist aesthetic, that meant stars (but not necessarily red) printed on shirts, neckties or decorating the new must-have nylon backpack – along with hearts to put soul into a sober collection.
The result was a show of those perfectly judged and wearable clothes on which Prada built its empire. But the reprise did not include her much-copied brief coat, short boxy suits or sour colors. In fact, Prince of Wales tailoring was classic, and there was a wry sweetness to an aqua blue suit, to a dusty pink shirt or a moss green sweater. Pants with softening pleats offered a new cut.
Why is Prada so often ahead of the pack? Because she has an ability to invent new menswear classics as if they had always existed. After a few seasons of kooky effects, any piece of this show – and that includes the head-wrap hats – could have walked right out on silvered sneakers or smart leather shoes onto the Milan streets. It was fashion for the real world and for its future.
Manolo says, this it is exactly right, exactly the reason the Manolo he loves the Miuccia, she makes the clothes for the real world. Her aesthetic it is egalitarian, and mostly functional, and yet, at the same of the time, it is also classic.
Here are the few of the pictures from the show.
This sweater and pants and shirt, they are to the mind of the Manolo, superb. Perhaps they should not belong in the Spring/Summer line, but they are beautiful, and completely wearable.
Again, this it is fashion for the real world. This, it is the way the young men they would really dress, in this casual manner.
The Manolo he would not pair this shirt with this suit, but then the Manolo he is sometimes the overly stuffy traditionalist. However, having said that, the Manolo he is in the love with this suit.
This, as with many of the shirts in this collection, it is something that one could wear only if one was both young and very handsome. However, these pants, they would be suitable for one, like the Manolo, with the more traditional middle-aged male figure.
And finally, the appearance of our muse, peeking out from behind the curtain in her customary and charming pose.
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