Manolo says, here’s two articles about the Miuccia’s show in the Milan. The first it is from the AFP.
Miuccia Prada conjured up a ready-to-wear collection for autumn-winter 2005-06 that had a decidedly couture feel and reminded the Milan fashion crowd that basic black is always chic.
Like British film director Alfred Hitchcock, the Italian designer — whose show capped Monday’s presentations — likes women who hide their passionate personalities beneath an icy veneer.
Her stone-faced models, sporting high heels and showing a bit of leg, cut a pure silhouette on the Milan catwalk that recalled the deceptively complicated couture designs of the legendary Spanish designer Cristobal Balenciaga.
Prada’s seemingly simple black and brown coats and dresses were in fact wonders of construction with straight or puffed out backs, narrow sleeves and nipped waists. Each was given a bit of volume with careful tucks and pleats.
Manolo says, this review it is pretty close to what the Manolo saw in this show, the retro feeling of the 50s and early 60s, and the strong influence of the Balenciaga.
Here is the second article from the Telegraph one that notes that the Miuccia she has decreed the return of the color black.
If there is one woman in the world who can state with conviction that “black IS the new black” it is Miuccia Prada.
She made that pronouncement after her stark and simple autumn/winter 2005/2006 collection at Milan Fashion week last night. No matter that she was wearing a white cotton shirt-dress with red high-heeled shoes at the time; perversity is part of Prada’s charm.
“Black is a very important colour and it is coming back. After a while you get fed up with colour and print,” she said. “Now it is time to be serious. Less fun, no frills. Last year we used fashion to escape from our problems. Now, we need to be more realistic and show ourselves to be more substantial.”
Manolo says, the Manolo he cannot but applaud this retrurn to the fashions of the adult.